Romeran wrote: ↑Sat Jan 29, 2022 9:35 pm
I wouldn't say in this case that Isildur
slew Sauron (corporeally) but rather that Elendil, Gil-galad,
and Isildur collectively were responsible. Elendil and Gil-galad knock him down and that gives Isildur the opportunity to strike. At least that's my reading of the text.
I'm glad you pointed that out. After posting I suspected that I was recounting the great opening intro of the movies, where Isildur picks up the broken sword and hurls it at Sauron - and went and looked at the text and saw what you say. Another case of hidden movie-dissolve of the text...
Reading this thread this morning - wow! There is so much here. A few random, scattered thoughts.
On the historical Ingeld and the hapless Freawaru: it is always helpful (I find) to bring up the historical lore that was before Tolkien's mind but it is important, I think, to bear in mind that we actually know much more about (in this case) Isildur than we do about Ingeld - on the historical figure we know only what Tolkien teased out (with astonishing philological skill) from between the lines of Beowulf; and in terms of filling out any portraits, we can no doubt learn much more about how Tolkien considered the historical Ingeld by looking at Isildur (and his kin) than the other way round.
On the Ring and mortal temptation. What I was really struck by on reading this thread yesterday was - and this picks up on a recent comment elsewhere by
@Boromir88 about thinking of the One Ring as one of the Rings of Power - that up until the moment that Isildur cuts off Sauron's finger ('he only has nine!' recalls Gollum) the story of the Rings of Power has been purely mythical, that is, Elvish, that is, the story of the Smiths of Eregion and Sauron who then appeared fair of face. Isildur then steps into the story: the first entrance of a mortal into this strange new magic of Middle-earth.
As such Isildur is the original tempted-mortal, against whom we will compare not only Boromir, Denethor, Faramir, and Aragorn, but also Frodo Baggins, Sam Gamgee, and even Gollum. On judging Isildur and Boromir, remember that Frodo fails the test at the last - only Bilbo and Sam give up the One Ring voluntarily.
Am I correct that when Isildur takes the One the nine mortal men who hold the Nine are still living?
@Romeran, you wrote:
I don't have a very good recollection of when these stories were written relative to when LotR was written but I've always loved how the "ancillary/history" stories that feature outside of LotR almost universally act to support the story within LotR.
This is what really exercises me - because we are I think looking at J.R.R. Tolkien at his absolute most creative best: we are talking of a few years, a terrible time in the history of the real world - when the 'kernel' of The Lord of the Rings was forged, the Second Age imagined, and the essay On Fairy-stories penned.
The Second Age had been introduced in The Fall of Númenor, composed in 1936 and declaring (in its closing lines, after recounting the Last Alliance) the conclusion or final story of the ancient world as told by the elves. I read this ending as a middle-aged Tolkien drawing a line under his Silmarillion stories (or believing he was so doing). Beginning a sequel to The Hobbit at the close of 1937, Tolkien must now decide whether The Hobbit was set in the world of Myth before or the world of History after the destruction of Númenor - after some initial hesitation he opts (on the way to Weathertop) for History. And already in 1938 the story of the Last Alliance is extended, giving us Isildur - but solely for the purpose of explaining how the Ring got from the hand of Sauron to Gollum (this is from memory, and I should go back to the HOME volumes and double-check the details).
But the new hobbit story is transformed in 1940. (The new idea is present in 1939, but Tolkien hesitates). But when he picks up his pen to resume the story in summer 1940 Trotter (Strider), who was a hobbit, becomes the heir of Elendil and the new hobbit story becomes also the sequel to the The Fall of Númenor. Treason of Isengard shows Tolkien first sketching the Númenorean history in Middle-earth into the Council of Elrond. In fact, this Second Age history is developed through just about the entire process of writing The Lord of the Rings. For example, once the Palantir has entered the story at Orthanc, Tolkien 'knows' that this is one of 7, and that each Stone was housed in a tower, and so maps the South and North kingdoms by erecting 7 towers (some now in ruins). But only (I think) in a late typescript of 1948 does Weathertop become a place where once stood a tower and a Seeing Stone.
As for the elvish story of the Second Age (as indeed also the Dwarf), this appears to have been imagined 1940-1942. Consider this text from 1941, which - Christopher Tolkien suggests - was composed as the story arrived in Lothlórien but was meant to be inserted into the Council of Elrond:
In Ancient Days the Great Enemy [Morgoth] came to the lands beyond the Sea; but his evil purpose was for a time hidden, even from the rulers of the world, and the Elves learned many things of him, for his knowledge was very great and his thoughts strange and wonderful.
In those days the Rings of Power were made. It is said that they were fashioned first by Fëanor the greatest of all the makers among the Elves of the West, whose skill surpassed that of all folk that are or have been. The skill was his but the thought was the Enemy’s. Three Rings he made, the Rings of Earth, Sea and Sky. But secretly the Enemy made One Ring, the Ruling Ring, which controlled all the others. And when the Enemy fled across the Sea and came to Middle-earth, he stole the Rings and brought them away. And others he made like to them, and yet false. (Treason of Isengard, 255)
And delivered as a lecture in March 1939 but radically reworked in summer 1943, in a long pause from composition of The Lord of the Rings, we have the essay On Fairy-stories, the reflections on 'Fairy' of the man who has just penned the story between Moria and Orthanc.