Ok! Work done for the day, so with luck I can do a single post for all these ongoing thoughts:
- Opening sequence for the first time: Gorgeous, imo. The movement of the sand is just really satisfying for me, and I like the various implications we might draw from the shapes. The winding of the darker sand in as the music shifts is just
mwah. Seriously, it feels like one of the best ways Game of Thrones improved TV is by the swing towards this style of opening credits.
- Galadriel swimming. Real dark in this sequence, good contrast ofc to her big light-bloom as she almost went to Valinor. Honestly same re: meteor man in flame-pit. Much darker / more shadowed start to the episode.
- Nori slipping down into the crater is good old fashioned Hobbit humor, followed by "she's making that face not that face..."
- "There's a giant in there!!!!!!"
- I commented last time that I was 15000000% sure that the stone + darkness quote being mashed up with the meteor falling meant the Man was a villain, but his little waking up scene felt... different. Hmm. Color me... uncertain. Maybe a wizard?
- Sadoc's dialogue with his omen-ladies is always great tbh. Definitely still not thrilled with the accents but,

- "He could have landed anywhere but he landed here" and "I was supposed to find him [...] I can't walk away from that until I know he's safe." both feel like good taps to the importance of Providence in the Legendarium — relieving after the PJ Hobbit's "We Make Our Own Luck!"
- I like Bronwyn and Arondir a lot more than I expected to, I have to say. Cruz Cordova has a really solid gravitas.
- Eregion! Feanor's Hammer! Silmarils! Wow! Wish they didn't feel the need to explain those references but rather to leave them — but also loving Elrond and Celebrimbor's discussion here: Charles Edwards is also more compelling than I expected, and Elrond's continuing naïveté is really fun (however book-inaccurate it might be).
- The fact that Celebrimbor is building the Tham Mirdain (rather than skipping directly to the Rings) is cool imo.
- OK Khazad-dum, here we go. I've been waiting for this for weeks.
- Mountains look great. Rivers running down the side look great.
- Celebrimbor geeking over the dwarf-craft is right imo. And Edwards continues to grow on me.
- Dwarf-door very cool. Grunting dwarf-voice less cool, but I didn't expect much more. Also: is that the Hammer of Moria alone on the door? Interesting to see the symbol without the later door's implication of friendship with the elves.
- Love the full-faced dwarf-helms.
- MORIA. YOOO.
- YOOO.
- YOOOOOOOOOOOOOOOOOOOOOO.
- The mirrors!! The waterways! The green things underground! My heart is fluttering. And the score is tremendous here, too.
- Identifiably female dwarves and the two living Durins both feel like necessary concessions to adaption, I'll say. They don't bother me much.
- Although the "dwarven endurance test" does feel a little comical, which is not where I'd hoped we'd start with them.
- Back to the Harfoots: the scores are already so evocative for me, which is really interesting. I was wondering how it would be to adapt to a new musical theming, since the LoTR films are
such classics.
- Meteor Man / The Stranger's continued confusion is increasingly giving me lost wizard vibes as we enter into his first fully-conscious scene. The loss of memory especially is reminiscent of Gandalf's confusion over his own history when he returns in TT. So putting that bet down now: wizard feels right.
-- In fact as a second note, maybe that's what I'm picking up on here: Frodo's comment in the Pony: feeling fair and looking foul, etc.
- Ouch, that (broken?) foot.
- Oh MY that broken foot.
- Sadoc, buddy, have literally any tact (I still love u Lenny don't worry).
- Wow so Galadriel is just gonna swim all the way back, huh. This was her big plan? (Its clear that's not gonna happen, for the record, but still funny).
- the WORM?
- I will say this whole lost mariners sequence is the kind of thing I'm excited to see them do — but once again the elf-racism just feels... idk. There are better ways to have conflict — even conflict between different ethnic groups — than this extremely surface-level phenotype focus.
- The sea monster looks great imo, and exactly weird in the way I think Tolkien would have imagined a sea monster. I think it's also interesting to get a closer look at the dangers of seafaring in Middle-earth — especially remembering that all those dangers are, to greater or lesser extent, the defenses of the Undying Land and
not the works of Morgoth.
- Yeah after loving the initial KD shots I have to say the rock-breaking contest is just utterly uncompelling for me. I don't dislike it innately, but it feels like its tapping in on that very comedic image of dwarves which we see in the PJ films. Its fine — just give it more respect if you're going to give it at all.
- "Our secrets are our own" is solid — and, honestly I like the reveal of the reasons for Durin's anger. I do hope they continue to play up the raw tension that exists between people who experience the world very differently — rather than continuing to fall back on "pointy-ears" or w/e.
- "One apology to Disa and you're off" ok nevermind they've got me back in. I love Disa. I love this stupid scene. This is the kind of comedy I think fits Tolkiens world, rather than the brawling and chanting stuff from earlier. This is dwarven Farmer Maggot and I'm here for it.
- Durin makin' some points tho. Elrond is here to secure a labor force.
- The tree is nice, especially to let it be a symbolic mirror without feeling like they need to make it go all the way back to Valinor, etc.
- Elrond is a little shire and I love him.
- Seriously Galadriel and Halbrand adrift is really nice. I don't know why but this kind of lost at sea sequence slots really nicely into Tolkien's world, even though we don't see it often.
- Also nice to get a glimpse of the separations of Free Peoples from somebody "regular." IMO one of the weaknesses of the books is that we basically only see things through the eyes of Elf-friends, so Halbrand is fairly interesting. Reminds me a bit of Eomer's thoughts on Galadriel.
- "Since the first sunrise bloodied the sky" solid reminder of Tolkien's thoughts on the sun as second-best.
- I said this in the ep. 1 thread but I do think Galadriel's pride is really compelling. She's definitely one of the characters I anticipate changing the most as the seasons progress (though seeing Elrond get a little more somber will also be interesting).
- "Having them gone is a relief, for most of us anyhow." once again not thrilled with the tension between elves and humans being simply because they are elves and humans. Give us the tyranny of Gil-galad! That's compelling! Seriously! Especially since we're already seeing him flawed in other ways.
- Theo needs to chill (reaffirming my guess that he's going to fall HARD).
- Cruz Cordova has the energy of an OC and I love him for it. The sobriety he brings to the role has already drawn me in. His sequences in the cave feel a lot like... almost a filmed version of Aragorn's hunt for Gollum (complete with appropriately few words).
- The looming assault on Bronwyn and Theo's village (accompanied by our first... orc, I guess? Those digging claws are
nasty) feels perfect. Really reminds you of the bits you don't always get in the film adaptions — Tolkien's stories about raided crofts in Rohan or the occupation of Hithlum.
- I'm really glad one singular (again, I'm assuming) orc is being given the screentime it deserves. Really amps up the fear of it — although I've mentioned in other places that I'm not thrilled with orcs on a whole (even in Tolkien's works themselves) they're certainly doing what Tolkien was doing pretty well.
- The shots of Galadriel sinking, and Halbrand rescuing her, lit by the lightning through the water are
gorgeous. Whether the show ends up being trash or not, at least we'll be able to say it was real pretty.
- I'm really interested in the Stranger, more so than I expected to be. I'm leaning more and more towards his being Gandalf (or maybe Radagast?) especially following this lantern scene and the whispering to the fireflies. I think it's still possible they're luring us in and he's going to wind up evil... but I don't know, the searching for the stars thing seems especially benign.
- Well, actually -- just got to the "fireflies are all dying" bit, which colors things differently. I
really don't know.
- The secret that's soured the relationship between the elves and dwarves has to be... mithril, right? Or mithril-related? Still, I'd love to get a better sense of that.
- Really interested to see where Theo ends up. My guess remains: not anywhere good.
- That's a big ship there. Who could be aboard?
Final thoughts: generally positive. Definitely not thrilled with some of the changes (if Galadriel and Halbrand have a romance of any kind I am going to be real frustrated) but generally working to think about this whole endeavor as a different, slightly inconsistent myth in the same textual tradition. And for now I'm content with that.