As we see, the history of Hobbit mushroom art is a sorry tale of lurid colours, misconceived compositions, and splodges. Deep in their hearts, the Hobbits of Undertowers knew that their paintings were no touch on the real thing -
genuine Dwarvish art.
We should perhaps pause in this post to reflect on the tragedy of history. The Dwarves of the early 4th Age were as busy making beautiful things with their cunning hands as they had been in all previous age of the world. And those Dwarves would very likely have traded their art, as also their famous tea, for local Undertowers produce (huorn eggs were valuable property in those days). But the Hobbits of Undertowers were in a state of feud with the Dwarves of Middle-earth, and Dwarves no longer visited Undertowers and Hobbits grew afraid of the hairy folk and turned their faces away from Moria. In their hearts the Hobbits knew that the art of the Dwarves was beyond them. But they were too stiff-knecked to admit it to themselves and the state of feud continued.
Yet there is one painting on the wall in Elostirion, the tallest of the Elf-towers of Undertowers. The painting hangs in the Librarian's Chamber, where the Adamanta Chubb Librarian sits and surveys her universe of Lore and directs her vast army of Library minions. This painting is
genuine Dwarvish art.
How this painting came to hang on the walls of Elostirion is a story in itself. And maybe that story will one day be told. For now, for the purpose of comparison, please feast your eyes on:
'Hobbit watching a Littler People' by Drifa